Mixing Stage One is our theatre and is used to mix many of Australia’s finest feature films.

The theatre is 35 feet long by 20 feet wide with an 18 feet high ceiling. An 8,000 Watt QSC Audio system including a THX certified projector, ensures a smooth and artistically fulfilling surround sound experience, in a stress-free environment.

Delivery requirements vary greatly from project to project, whether the audio is intended for Digital Cinema, Television, Blu-Ray or Radio, we ensure that all levels and loudness measurements adhere to ITU / ATSC / EBU standards. We provide sound tracks for cinema release, broadcast and video.

With the latest Pro Tools HD hardware and software, provides up to 7.1 surround mixing capability. This studio also provides extensive sound effects and music libraries and supports SD and HD video playback making it an ideal space for designing sound, creating M & E (music and effects) tracks and mixing in surround.

DaVinci Resolve has become a central part of our entire production and post production workflow, and Pow Wow’s colorists, editors, VFX artists, producers, directors and clients will be able to view and collaboratively work with DaVinci Resolve files anywhere in the facility, with our internal high speed NAS network.
The on set colorist exports the colour grading files approved by the DP to your colorist back at Pow Wow, who can start working on the original files immediately. It's a much more streamlined file delivery workflow.

If you're on the lookout for a prime green screen studio space in Sydney, Pow Wow Film Studios is your destination. Our cutting-edge facility is a state-of-the-art hub for dynamic film and TV production, offering a wealth of creative possibilities for crafting top-notch video content.
The advantages of utilizing a green screen studio in Sydney are manifold for filmmakers. Firstly, it provides an indoor setting, eliminating concerns about uncontrollable elements like weather, natural light fluctuations, location availability, crowd coordination, and background noise. Moreover, the flexibility it offers in layering effects onto scenes is limitless. Additionally, it proves to be a cost-effective solution, negating the need to navigate the logistical challenges of relocating an entire production crew to a distant site.

Our Avid suites are designed with tapeless workflows and are available for ‘WET’ & ‘DRY’ hire. Utilising Avid’s Media Access (AMA) technology for fast and efficient delivery. Each suite is also fitted with the latest Adobe After Effects with a huge range of codec support we can work with virtually any format.